Bulletproof Screenwriting™ Podcast

On this episode, we sit down with Danny Mac, a Canadian filmmaker, actor, and producer whose story is a masterclass in indie filmmaking grit. Best known for his mockumentary Heel Kick!, Danny proves that passion and persistence can turn any dream—no matter how outlandish—into cinematic reality. Without the luxury of film school or industry connections, Danny started his filmmaking journey in Edmonton, Alberta, a city without much of a film scene. With determination as his tuition, he taught himself the craft by writing, producing, and shooting his first feature, Love/Hate, entirely on weekends while working full-time during the week. That film, made with a mere $40,000 budget scraped from his and his co-producer’s life savings, became his film school—and, against all odds, it sold to a Canadian broadcaster, allowing him to break even on his very first project.Danny’s path wasn’t without struggle. As a first-time filmmaker, he wore every hat imaginable—writer, producer, actor, and sometimes even location scout and transporter. The grueling process taught him one thing: passion can push you through exhaustion, but preparation and teamwork are what truly make a film succeed. His next project, Heel Kick!, would be an evolution of everything he learned—bigger in ambition, sharper in execution, but still rooted in the DIY spirit of indie film.Heel Kick! follows two backyard wrestlers who decide to “go pro” after years of goofing off, only to discover how brutally difficult the dream really is. Inspired by Danny’s childhood fascination with wrestling and his cousin’s real-life experiences at a wrestling academy, the film explores both the absurdity and humanity of chasing an impossible goal. What makes the story shine is its authenticity—Danny and his co-star actually trained at a professional wrestling school for six months to perform the stunts themselves. This dedication gives Heel Kick! a raw, physical realism rarely seen in low-budget comedies.When it came to funding and promotion, Danny combined old-school hustle with modern strategy. He launched a short GoFundMe campaign—not to start filming, but to finish it. Since the movie was already complete, fans could trust that their donations were going toward its release and screenings. That transparency paid off—literally. In just three weeks, he raised $12,000 to cover post-production and distribution costs. And while many filmmakers dread crowdfunding, Danny approached it with honesty and gratitude, proving that if you show people real progress, they’ll show you real support.Danny also secured the backing of Greg Miller, a YouTube and gaming personality known for his Kinda Funny network. Their friendship began after a charity event in Vancouver and evolved into a partnership when Greg joined as co-producer to help spread the word. His involvement brought Heel Kick! a new wave of attention, particularly from online audiences passionate about wrestling and indie entertainment. Ultimately, Danny Mac’s story is about more than filmmaking—it’s about perseverance, community, and creative resourcefulness. His success with Heel Kick! reminds filmmakers everywhere that you don’t need a massive budget or a Hollywood connection to tell a great story. You just need to believe in your vision, work harder than anyone else, and embrace every lesson along the way. Whether you’re wrestling in a ring or fighting for your first film, the key to victory is the same: never tap out. Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Every once in a while, a filmmaker comes along whose story redefines what’s possible. On today’s episode, we meet Gough, the world’s first legally blind filmmaker to write, produce, edit, direct, and star in a feature film. Based in Australia, Gough’s journey isn’t just about overcoming obstacles—it’s about rewriting the rules of what it means to create. Through his production company, Beer Nuts Productions, he’s built a thriving career in comedy filmmaking, releasing over a dozen films, multiple books, and audio projects, all while turning disbelief into admiration.Gough’s career began with rejection. After writing countless screenplays and sending them to production companies, distributors, and investors, he quickly realized that most people couldn’t see beyond his disability. “They knew I was blind and dismissed me out of hand,” he recalls. Instead of giving up, Gough did the unthinkable—he decided to make his own films from scratch. His first feature-length project, I Will Not Go Quietly, was a 90-minute documentary on disability and mental health. He shot, edited, and funded the entire film himself, interviewing experts, comedians, and teachers to shed light on how society perceives disability. It wasn’t just a film—it was a declaration of independence and proof that storytelling is about vision, not sight. From there, Gough built momentum, producing a string of comedic short films that showcase his wit and unique storytelling style. Each project became a stepping stone for the next. Beer Nuts Productions evolved into a full-fledged creative hub, featuring 14 films, 7 audio downloads, and 5 books. His films—ranging from mockumentaries on the environment and fitness to satirical takes on the entertainment industry—reflect both his humor and sharp social commentary. “I just want to make people laugh and think,” he says. “Entertainment is about making people happy. That’s why I do what I do.”Gough’s success didn’t come without challenges. As an independent creator, he faced the dual battles of production and promotion. While technology made filmmaking more accessible, marketing became the new battlefield. To stand out in a crowded digital landscape, he built a marketing team and launched campaigns across Facebook, Instagram, and traditional media outlets. His approach combines modern outreach with old-school persistence—podcast interviews, press releases, and direct audience engagement. “It’s never been easier to make a film,” Gough says, “but it’s never been harder to get it seen.”What makes his work even more remarkable is his hands-on directing style. Despite his visual limitations, Gough has developed an intuitive approach to editing and performance. He directs actors by focusing on vocal tone, rhythm, and emotion rather than facial expressions. “I can tell by the sound if the performance is right,” he explains. With a trusted crew who understands his creative process, including his longtime editor Simon, he ensures that every cut, cue, and line lands perfectly. The result? Films that are not only technically solid but emotionally precise and deeply entertaining. Beyond filmmaking, Gough is a storyteller, a humorist, and a living example of creative determination. He believes that ignorance about disability can be cured through education and empathy—and his films do exactly that. Whether he’s producing mockumentaries about modern life or stand-up-inspired sketches, his work carries the same message: limitations only exist if you let them.From his first documentary to his recent comedy The Environment: The Real Truth, Gough continues to prove that filmmaking is an act of courage and imagination. His story is not one of pity or perseverance—it’s one of power, laughter, and possibility. Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Nicole Jones-Dion, a screenwriter, director, and producer, shared her unconventional path into filmmaking, beginning in the world of video games and comics before moving into film. Known for her work on projects like Tekken 2, Dracula: The Dark Prince, and the SyFy thriller They Found Hell, she has built a career in genre storytelling that blends sci-fi, horror, and action. Her persistence paid off after writing more than fifteen spec scripts and seizing opportunities to rewrite and adapt existing material, which she says makes up most of Hollywood screenwriting. Nicole’s approach emphasizes discipline, structure, and character-driven storytelling, ensuring her projects are both creative and marketable. She also found success with crowdfunding, raising nearly $20,000 for her short horror film Debris, which explored the legend of a cursed samurai sword. The campaign’s popularity proved the power of a strong concept and led to festival recognition. With her directorial debut Stasis and other projects in development, Nicole continues to explore stories that challenge audiences while entertaining them. Her journey demonstrates the importance of adaptability, hard work, and never stopping the pursuit of growth as a filmmaker. Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Dawn Fields is a Los Angeles-based producer, writer, and director whose journey through the film industry is marked by both struggle and triumph. Beginning her career as a production assistant in Atlanta, she quickly discovered her true passion was behind the camera. After relocating to Los Angeles with nothing but determination, she worked in distribution and acquisitions before founding Palm Street Films. From early crowdfunding attempts like Zombie Elves to the painful shutdown of Shattered Love, Dawn’s career has been shaped by hard-earned lessons in persistence, preparation, and the realities of independent filmmaking. Her breakthrough came when she stepped into the director’s chair, turning setbacks into opportunities with projects like 209, Found, and Fragile Storm starring Lance Henriksen. Along the way, she learned to navigate the challenges of crowdfunding, casting, and maintaining creative control while still building credibility and an audience. Today, she not only develops new projects but also shares her knowledge through seminars and script contests, guiding emerging filmmakers. Her story stands as a powerful example of resilience in filmmaking—showing that while the path may be filled with setbacks, passion and persistence can transform failures into lasting successes. Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Award-winning screenwriter Mike Bierman has carved an unconventional path into the world of storytelling, moving from reading his daughter’s audition scripts to building a reputation as both a prolific writer and founder of the Facebook group Screenwriters Who Can Actually Write. In this conversation, he shares his journey into screenwriting, his tough-love philosophy for aspiring writers, and the methods he uses to keep scripts sharp, lean, and engaging. Bierman’s unique approach, known as the BAM method (Bierman Asynchronous Method), flips traditional writing on its head by starting with the ending and working backward, ensuring that every scene pushes the story forward. Alongside his process, Mike offers candid insights into the common pitfalls of beginners, from formatting missteps to the trap of relying too heavily on software. He emphasizes that writing is not about perfection on the first draft but about committing words to the page and refining them. His upcoming book, Secrets of Screenwriting: Collected Essays, distills his no-nonsense advice into practical lessons for writers who want to treat screenwriting as a serious craft. Whether through his group, his book, or his methods, Mike challenges writers to move beyond excuses, face the blank page, and create stories that truly stand out. Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Jamie Buckner’s filmmaking journey is one built on passion, persistence, and pure creative drive. After exploring careers in music, architecture, and art, he realized filmmaking combined everything he loved into one pursuit. Starting as a production assistant, Jamie worked his way through Hollywood’s ranks on major films like Seabiscuit, The Departed, and John Wick: Chapter Two. But while learning from industry giants, he continued writing his own scripts — most notably Split, a romantic comedy centered around bowling. Determined to bring his vision to life, Jamie self-financed the project, ran a successful Kickstarter campaign, and transformed a short proof-of-concept into a full feature film. His experience on Split became a masterclass in independent filmmaking — from balancing day jobs to managing budgets, post-production challenges, and distribution. The result was a feel-good movie that found audiences on multiple streaming platforms. Through his story, Jamie reminds aspiring filmmakers that creativity must be paired with discipline, resourcefulness, and an unshakable belief in your own ideas. His message is simple but powerful: if storytelling is in your blood, keep writing, keep filming, and never stop creating — because that’s what makes you a true filmmaker. Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Dan Benamor began his film career as an intern, quickly working his way up to head of development at a small production company. That experience gave him a deep understanding of story and the industry, shaping his perspective on what makes a screenplay stand out: confidence, strong character work, and purposeful storytelling. While he has tried directing, Dan discovered that his true passion lies in writing. He believes the hardest part of the process is in the planning and development stage, where theme, character arcs, and structure are carefully mapped out. Once the blueprint is clear, writing becomes the rewarding part — a process he mastered through developing dozens of scripts and watching them come to life on screen. That skill set came full circle with Initiation, the indie horror-thriller he co-wrote with his cousin Oren, who directed the film. The story follows strangers forced into a deadly cult ritual, blending genre thrills with deeper meaning about inner strength and survival. Despite being a low-budget production, the film secured distribution through Gravitas Ventures and earned strong reviews, showing that ingenuity and disciplined storytelling can overcome resource limitations. Dan’s journey is proof that with persistence, craft, and a confident voice, independent filmmakers can create work that resonates with both audiences and industry professionals. Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

A spark of madness is often the first step toward creation. On today’s episode, we welcome Bojan Dulabic, a passionate Vancouver-based filmmaker who pulled off a small miracle—he made a full-length zombie movie for just $5,000. But this isn't just a story of budgeting brilliance; it's a tale of relentless passion, artistic vision, and the kind of self-taught wisdom you can't get in film school.Born in Bosnia, raised in Germany and Croatia, and finally settled in Canada, Bojan Dulabic’s journey into filmmaking is stitched together by war, displacement, and a child’s fascination with VHS tapes in his mother’s shop. His early life sounds like something out of a global coming-of-age novel. And perhaps that nomadic upbringing seeded in him a gift for observation—a key trait in any great storyteller. When he finally turned his teenage creativity into a film project in high school, something clicked. Not just the shutter on a camera, but the internal compass of a man who knew he had to follow the path of cinema, even if it meant doing it on his own terms.This wasn’t a journey paved in gold. His first feature, shot for $4,000, was a comedy that taught him the ropes. His follow-up? A feature-length zombie film titled Project Eugenics. What could have been a cliché genre dive instead becomes a thoughtful narrative on misinformation, the chaos of modern life, and yes—zombies as metaphors. “To me, a zombie flick... it's not about the zombies. It's always about something else,” Bojan reflects. In his hands, the walking dead become symbols of mass confusion, manipulation, and the blurred lines of truth in our hyper-connected world.There is a playful seriousness to Bojan’s philosophy. He reveres Romero and admires Rodriguez, but he walks his own road. Like Alan Watts would muse about the dancer and the dance, Bojan seems less concerned with final outcomes and more with being in the creative flow—tripping over obstacles and finding meaning in the madness. He shares stories of juggling a wedding, a tight shooting schedule, and DIY visual effects like a magician with duct tape. His secret? A mindset that embraces “safe confusion”—a term borrowed from Tarantino—that invites the audience into mystery without losing them.What’s more, Bojan brings a rare humility to the table. He speaks about his cast and crew with deep respect, understanding that low-budget filmmaking doesn’t give you the license to burn out others for your dream. His actors often worked just a few days, each scene scheduled with precision. His respect for time, energy, and goodwill may be the real reason his film came together. For him, filmmaking is not just a creative act but a spiritual contract—with himself, with his collaborators, and with the audience.This podcast isn’t just a technical breakdown of low-budget indie cinema. It’s a spiritual blueprint for artists who feel the fire but lack the funds. Bojan’s approach is radical because it’s so simple: take stock of what you have, and build from there. Whether it’s stock footage, free VFX plugins, or your friend’s living room—use it. More importantly, finish it. Don’t wait for permission. Make your movie now. Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

The landscape of existence can sometimes feel like a cosmic play—actors shifting between roles, creating stories that ripple through time. On today's episode, we welcome Phil Proctor, an artist whose life weaves a tapestry of creativity, resilience, and humor. Known for his work with the legendary Firesign Theatre and an illustrious voice acting career, Phil has left an indelible mark on the worlds of comedy, film, and beyond.Phil Proctor is not merely a performer; he’s a storyteller who transcends mediums. Reflecting on his career, Phil shared how the Firesign Theatre’s surreal humor was designed not only to entertain but to provoke thought. “We were asking, ‘What is reality?’” he explained. “It’s the question you should ask every day when you get out of bed.” These words capture the essence of his work—a blend of laughter and philosophy that challenges conventional perspectives.Phil described how technology has transformed his craft. From the days of live radio to recording film dialogue remotely, he marveled at the evolution of his industry. With characteristic wit, he recounted a time he dubbed a French comedy for Mel Brooks, only to find the humor lost on American audiences. “The test audience thought we were speaking French!” he laughed. Moments like these underscore Phil’s adaptability and humor in the face of creative challenges.Phil also opened up about the impact of his voice acting roles, such as his long-running portrayal of Howard DeVille in Rugrats. He reflected on the joy of connecting with audiences worldwide, even decades after the show’s heyday. From cartoons to video games like Assassin’s Creed, his performances have reached far and wide, bridging generational gaps.One of the most profound parts of our discussion was Phil’s recollection of surviving the Golden Dragon massacre in 1977. Amidst the chaos, he found solace in an unexpected synchronicity: learning that his wife was pregnant with their daughter. “Life has a way of balancing tragedy with joy,” he mused. This event, along with its psychic premonition, became the foundation of his memoir, Where’s My Fortune Cookie?Phil’s stories often ventured into the metaphysical. He shared how the Firesign Theatre’s comedy sought to “deprogram” audiences from societal conditioning, offering a fresh lens to perceive reality. This philosophy—wrapped in humor—resonates deeply in today’s fast-paced, media-saturated world. “We were making funny connections,” he said, “exercising the brain to see the world anew.”Beyond his creative endeavors, Phil’s zest for life shines through in his personal anecdotes. Whether reminiscing about working with Mel Brooks or delighting in his grandchildren’s fascination with technology, he embodies a boundless curiosity. His ability to balance the absurd with the profound makes his journey a testament to the power of humor and resilience.As the episode drew to a close, one thing became clear: Phil Proctor is more than a performer; he is a philosopher of humor, an explorer of reality, and a living reminder of life’s intricate, interconnected dance. His stories inspire us to embrace curiosity, resilience, and a healthy dose of laughter. Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

On today’s episode, we welcome the dynamic duo, Lily Yasuda and Michael Wolfe, two inspiring filmmakers who have decided to take the road less traveled by creating their own feature film, Like Love. Their journey is one of collaboration, determination, and creativity—filled with moments of laughter and the occasional unexpected hurdle.From the outset, you’ll sense the chemistry between Lily and Michael. They first crossed paths during their time at Chapman University, bonding over vulnerable and humorous writing assignments in a creative writing class. Their shared passion for storytelling sparked not only a friendship but also a creative partnership. This partnership culminated in the idea for Like Love, a project born out of their desire to challenge traditional romantic comedy tropes. “We wanted to tell a story that feels real and honest,” Lily shares, “about friendships and the complexities of human connection.”At its heart, Like Love is what they call an “anti-romantic comedy.” Drawing inspiration from classics like When Harry Met Sally, Lily and Michael aim to flip the script on the genre. Instead of perpetuating the myth that friendship between men and women inevitably leads to romance, their film explores the beauty of platonic relationships. As Michael explains, “It’s about two friends trying to fall in love and realizing they’re better off as friends. That’s the kind of story we don’t see enough.”Their filmmaking journey hasn’t been without its challenges. Crowdfunding has been a pivotal part of bringing Like Love to life. Lily and Michael describe the process as “a full-time job in itself,” requiring not only meticulous planning but also a willingness to be vulnerable and open about their creative vision. They’ve leaned heavily on their network for support, finding generosity in unexpected places. “The community in Boise has been incredible,” says Lily. “People here are so supportive, offering locations, resources, and even homemade meals for the crew.”Despite the logistical hurdles, their passion for storytelling shines through. Michael, the film’s director, admits that directing a micro-budget feature comes with unique pressures. “We’re all wearing multiple hats,” he notes, “but it’s an amazing experience to work so closely with a team that believes in the project.” Lily, who also stars as the film’s lead, balances her roles as actor, writer, and producer with grace, emphasizing the importance of collaboration in every aspect of the project.As they reflect on their experiences, one thing becomes clear: Like Love is more than just a film; it’s a testament to the power of community and perseverance. Lily and Michael hope their story inspires other aspiring filmmakers to take the leap. “Making a movie isn’t easy,” Lily acknowledges, “but if you’re passionate about your story, you’ll find a way to make it happen.” Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Len Kabasinski shares his journey from childhood dreams of monsters and martial arts to becoming a prolific force in the world of independent B-movie filmmaking. He recounts the origins of his first feature Swamp Zombies, revealing how a passion for horror and action films, coupled with sheer determination and minimal resources, propelled him into the director’s chair. With stories of on-set challenges, like actors no-showing and rewrites done on the fly, Len highlights the resourcefulness required to survive and thrive in the micro-budget world. His deep respect for martial arts and love for genre films shine through as he explains how even his earliest projects were fueled by vision, grit, and a DIY spirit. As the conversation unfolds, Len Kabasinski reflects on the evolution of his filmmaking, from improving technical aspects like sound and lighting to writing scripts that align with available resources. He discusses working with cult personalities like Dan Severn and Jasmine St. Claire, and how casting is not just about fame but about attitude and collaboration. Looking forward, he shares excitement about upcoming projects like Hellcats Revenge and Challenge of the Five Gauntlets, emphasizing his desire to showcase his martial arts roots in full force. Throughout, Len remains grounded, humble, and fiercely committed to telling the stories he believes in—proving that true creativity doesn’t wait for permission. Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Some moments in life are stitched together like the seams of a well-loved garment, their fabric woven with laughter, reinvention, and a refusal to let the world dictate what is possible. On today's episode, we welcome Rhonda Shear, a woman who embodies this spirit of transformation with a playful wink and an unstoppable drive. Many remember her as the effervescent host of USA Up All Night, where she brought an entire generation into the cult world of late-night B-movies, but her journey extends far beyond the glow of a television screen.Rhonda Shear is an actress, comedian, entrepreneur, and accidental feminist, though “accidental” may not quite capture the intentionality with which she has shaped her life. Her story arcs from the glitz of Hollywood to the entrepreneurial success of her intimate apparel empire, with plenty of misadventures and revelations in between. She grew up in New Orleans, a city that instilled in her a sense of pageantry and performance, leading her from beauty pageants to acting, stand-up comedy, and ultimately, to building the number one selling bra in the world, the Ahh Bra. From the outside, her career may look like a sequence of lucky breaks, but Rhonda speaks to something deeper—the power of embracing reinvention without losing authenticity. Hollywood tried to confine her to a singular image, the bubbly blonde bombshell, but she turned it into her own brand of comedy, injecting intelligence into satire and challenging expectations. “People told me, ‘You can’t be sexy and be funny.’ And I said, ‘Watch me,’” she recalls.Her experiences in the entertainment industry—auditioning against preconceived notions, breaking into stand-up at a time when female comedians were still a rarity, and later navigating the world of business—illustrate the universal lesson that one does not have to be what the world expects. Rhonda's path has been a testament to self-creation, a refusal to be boxed in by labels. In her book Up All Night: From Hollywood Bombshell to Lingerie Mogul, she shares the lessons gleaned from a life spent dancing between entertainment and entrepreneurship, always with an eye on what’s next.One of the most refreshing things about Rhonda is her unwillingness to bow to negativity. When the reality TV industry came knocking, hoping to manufacture conflict in her life, she turned them down. “I don’t do drama,” she says. “I don’t need to create problems where there are none.” This philosophy extends into her approach to life and business—where others see obstacles, she sees opportunities. Whether it’s transitioning from comedy to commerce or proving that reinvention is possible at any stage of life, Shear radiates the certainty that success is about mindset as much as talent.Her journey isn't just about professional transformation; it’s about love, too. In a twist straight out of a romantic comedy, she reunited with her high school sweetheart decades later, and together they built an empire. Their story reminds us that some things are destined to find their way back to us, no matter how much time has passed. Life, as Rhonda Shear so effortlessly demonstrates, is about embracing every chapter with humor and grace. The journey from late-night TV to the boardroom isn’t as unlikely as it seems—it’s simply the next scene in a story written by someone unwilling to accept limitations. Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

On today's episode, we welcome the multi-talented Kim Ray, a writer, producer, and director whose career spans reality TV, documentaries, and scripted projects. Best known for her work on the Netflix documentary Gaga: Five Foot Two, Kim’s journey through the industry is an inspiring tale of creativity, resilience, and innovation.Our conversation begins with Kim’s fascinating experience co-writing West Bank Story, a parody of West Side Story that cleverly blended humor with themes of peace and cultural commonality. As Kim describes, “It was about showing that even in a world full of conflict, there’s so much that connects us.” The project, which gained significant recognition, was a testament to her ability to merge art with meaningful messages.Kim’s transition into reality television was both unexpected and transformative. While it wasn’t her original focus, she brought her narrative expertise to shows like The X Factor and Kendra on Top. “Reality TV,” Kim explains, “requires storytelling that’s just as nuanced as scripted work. You’re shaping real moments into something cohesive and engaging.” Her work on these projects highlights her adaptability and deep understanding of human emotion. One of the standout points in Kim’s career was producing Gaga: Five Foot Two. The project offered an intimate glimpse into Lady Gaga’s life, showcasing her vulnerabilities and strength. Kim recounts the challenges of crafting such an unfiltered narrative, saying, “The magic was in the authenticity. Gaga was raw and real, and we wanted viewers to feel like they were walking alongside her.” The minimal crew and close collaboration created an unparalleled connection between the subject and the audience.Beyond her professional achievements, Kim’s insights into the industry’s evolution are enlightening. She speaks candidly about the systemic challenges women face in Hollywood, sharing how she navigated a landscape often dominated by male voices. Her reflections on the #MeToo movement underscore the importance of platforms like social media for amplifying marginalized voices. “It’s a double-edged sword,” Kim notes, “but it’s also a powerful tool for change.”Kim’s current project, Violet’s New Life, delves into the futuristic concept of consciousness transfer. The short film and pilot explore what it means to live again in a synthetic body, blending technology and human emotion. As Kim puts it, “It’s not just about immortality—it’s about the psychology of starting over, carrying the weight of one life into another.” Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

The world is far more peculiar than most of us dare to admit. Somewhere between a demolition derby and a wrestling ring, between the crackle of VHS tapes and the shriek of late-night public access, lies a man who has turned mayhem into meaning. On today’s episode, we welcome the unparalleled and unfiltered Mad Man Pondo, a professional wrestler and author whose life has been a whirlwind of body slams, topless TV hosts, and late-night green room oddities. With a voice still rough from last night's match, he guides us into a tale of chaos, tenacity, and triumph.Mad Man Pondo—real name Kevin Canady—is not merely a character in the ring. He is a living mosaic of outrageous stories and unshakable spirit. Raised in a reserved household, he found himself drawn to the fever-pitched passion of pro wrestling his grandparents once yelled at on their living room TV. That early spark lit a fire, and he never let it go out. As he says in this episode, “My mom still has the paper I filled out in grade school that said I wanted to be a professional wrestler.” That dream, written in crayon, would become a 30-year odyssey through blood, barbed wire, and blinding spotlights.The journey to the ring was not paved with ease. Pondo describes the brutal, often humiliating, early days of wrestling school—the beatings, the busted lips, the sheer will required to prove he belonged. He tells of how many walked away, unwilling to endure it, while he pressed on. That kind of devotion would become his defining trait. When the legendary Abdullah the Butcher told him he had the talent to wrestle in Japan, Pondo drove through the night, edited his best matches on two old VCRs, and mailed the tape by sunrise. The result? Forty-three trips to the Land of the Rising Sun.But Pondo’s life wasn’t confined to the ring. Ever curious, ever mischievous, he created “Skull Talk,” a public access show featuring wrestling commentary and, yes, topless women sitting on his lap. Equal parts performance art and rebellion, the show sandwiched between two church broadcasts caused outrage and fandom in equal measure. “One preacher would send me scripture every week,” he laughs. “But I knew he watched every episode.” This was Pondo in his purest form—pushing boundaries, dancing at the edge of decency, and always keeping his audience on their toes.What’s perhaps most impressive is his ability to weave these escapades into something strangely noble. Whether talking about riding shotgun in a demolition derby car painted with horror icons or booking outrageous guests for the Jerry Springer Show, there’s a heart beneath the madness. His creation of “Girl Fight,” an all-women’s wrestling promotion, is a testament to his desire to give others a platform, to share the stage, to pass the torch. He’s not just fighting for himself anymore—he’s built a ring where others can rise too. And then there’s the book, Memoirs of a Mad Man, a wild ride through his memories, filled with stories that make you laugh, cringe, and occasionally tear up. One story he held secret for decades—a deeply personal moment with wrestling legend Junkyard Dog—was finally shared in its pages. “I thought, you know what, let’s put this in there,” he says. “It was time.” In telling that story, and many others, he transformed scars into stories and chaos into legacy. Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

In this episode, Whitney Davis, a seasoned literary manager and script consultant, breaks down the real-deal process of getting noticed in Hollywood—from landing a manager to crafting query letters that don’t suck. Sharing her own unconventional path into the industry, Whitney offers raw, practical advice for screenwriters and indie filmmakers on how to pitch like a pro, avoid rookie mistakes, and build lasting relationships that actually move careers forward. This is a no-fluff, insider’s guide to breaking in and leveling up in the film industry. Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

In this colorful and deeply personal episode, Staci Layne Wilson shares her remarkable journey from a childhood surrounded by Hollywood legends and horseback riding to becoming an award-winning filmmaker and bestselling author. Born and raised in Los Angeles to a famed musician father (Don Wilson of The Ventures) and a glamorous pin-up model mother, Staci’s life has always been steeped in creativity. Yet, her entrance into filmmaking wasn’t planned—it evolved naturally through her work as a horror novelist and entertainment journalist. With a passion for storytelling and a love for visual style, she eventually directed short films and features that showcase her unique blend of artistry, grit, and genre flair. Throughout the conversation, Staci Layne Wilson reflects on the confidence she gained through small, creative victories, her experiences navigating the film world as a woman, and her desire to tell authentic stories—whether through film or memoir. Her book So L.A. offers a humorous yet heartfelt look into her unconventional upbringing, filled with wild stories like meeting Malcolm McDowell weekly or being invited to the Playboy Mansion as a teenager. With future projects on the horizon, including a documentary on her father’s legendary band, she continues to blend past and present into meaningful art that captures the spirit of Hollywood’s golden oddities. Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

In this episode, veteran actor and director Greg Travis dives into his decades-long filmmaking journey, culminating in the release of his once-abandoned 1984 feature Dark Seduction. Shot on 16mm black-and-white film, the noir-vampire hybrid languished in post-production limbo for over 30 years before digital technology made its completion possible. Greg shares candid stories about the ups and downs of making the film—from lost investors to dusty negatives—and explains how delays actually gave him the chance to polish the project into something stronger than it would have been decades ago. Greg also reflects on lessons learned from working with top-tier directors like David Lynch and Paul Verhoeven, emphasizing the importance of tone, improvisation, and a solid story structure. As both an actor and filmmaker, he offers practical advice for new directors, including taking acting classes, planning with a three-act outline, and remaining open to spontaneous creative choices on set. His story is not just about finishing a movie—it’s about staying committed to your vision through every challenge the industry throws your way. Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Evan Kidd is a passionate indie filmmaker who believes great stories don’t need big budgets—just big heart. In this episode, he shares how he created his feature film Son of Clowns using the resources he already had: friends, favors, and faith in the process. With a deep respect for collaboration, Evan emphasizes the importance of building a reliable team, staying grounded, and keeping ego out of the equation. His filmmaking philosophy leans heavily on authenticity, transparency, and making the most of real-world environments, often embracing the beautiful chaos that unfolds on set. Throughout the conversation, Evan offers wisdom for creatives struggling with fear and perfectionism. He encourages filmmakers to stop waiting for ideal circumstances and start where they are, even if that means running sound themselves or rewriting scenes to fit accessible locations. “Filmmaking is just a big game of improvisation,” he says, reminding us that adaptability and passion are more powerful than money. His journey is a heartfelt lesson in making art that matters—without asking permission. Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Brit Cruise—educator, filmmaker, and producer of Pixar in a Box—takes us on a journey through the fusion of storytelling, science, and education. From his early days editing videos with dual VCRs to his innovative work at Khan Academy, Brit reveals how deep focus, analog creativity, and a love for explanation helped shape his approach to teaching complex subjects through immersive visuals. With storytelling as the core, he shares how each lesson in Pixar in a Box connects school-taught concepts like math and physics to the movie magic of Pixar, showing students that what they learn can have real, creative application. Throughout the conversation, Brit explores his philosophy that creativity is “the ability to deal with unknowns,” emphasizing iteration, structure, and the power of simplicity. He also gives us a glimpse into the upcoming storytelling curriculum at Pixar in a Box, where students will storyboard their own shorts from scratch. For filmmakers, educators, and curious minds alike, this episode is a masterclass in how to bring clarity, authenticity, and joy into the learning and creative process. Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Gary King is a filmmaker who transitioned from a career in psychology and human resources to independent cinema, building a body of work that balances heart, hustle, and deeply human storytelling.In the spirit of Taoist unpredictability, Gary’s story unfolds not as a straight line, but as a rich weave of intuition, risk, and creative alignment. He didn’t attend film school—not out of rebellion, but because he didn’t know it existed as a real path. Yet, what he lacked in formal education, he made up for in lived experience, teaching himself the craft by actually making films. From his first feature "New York Lately" to a haunting indie gem titled "Among Us," his journey is a testament to following that subtle inner pull, even when it defies logic or convention.What stood out most was Gary's devotion to character. He didn’t chase Hollywood formulas or pre-packaged three-act structures. Instead, he sculpted stories that breathe. Stories that fail and rise again. He spoke of actors, not as tools to carry his vision, but as living beings whose rhythms dictate the energy of a scene. “The first take might be gold for one actor, but the sixth take is where another actor finds their truth,” he said. That kind of awareness doesn’t come from reading screenwriting manuals. It comes from presence.It’s no surprise that Gary gravitated toward stories with strong female leads. His commitment to representation isn't a gimmick—it’s a reflection of his own lived dynamics. He and his wife uprooted their lives together, and it was her faith in him that seeded the beginning of his filmmaking path. When he pitched the idea of becoming a director, her response wasn’t fear—it was, “Okay, how do we make this happen?”Every film Gary makes becomes his personal film school. No gatekeeping. No pedigree. Just the camera, the actor, the breath of a moment, and the sacred chaos of the edit room. One of the most beautiful sentiments he shared was how universal pain is the bridge to empathy. “You can tell a story about a Broadway dancer who never makes it, and someone who’s never danced a day in their life will see themselves in that struggle.”And while his films may not be backed by million-dollar budgets or high-concept gimmicks, they pulse with something far rarer: authenticity. A humility that says, “I’m still learning.” A clarity that says, “This is who I am.” And perhaps most importantly, a humor that says, “Yes, I returned a porno tape to Blockbuster by accident, and no, I don’t regret it.” Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.