Sidedoor

Cellphones put the power of the world at our fingertips. With the touch of a finger, you can instantly connect with your doctor, have food delivered to your office or simply obliterate your niece at Words with Friends. And it's all made possible by rocks formed millions of years ago, deep underground. Join us as we bust open our devices to figure out how these stones power our phones. Guests: Joshua A. Bell, curator of globalization at the Smithsonian’s National Museum of Natural History Michael Wise, geologist in the department of mineral sciences at the Smithsonian's National Museum of Natural History Josh Lepawsky, professor of geography at Memorial University of Newfoundland

The United States has more martial arts schools than any other country – by far. Chances are you or someone you know practiced karate or another martial art growing up. While martial arts gained popularity in the U.S. for many reasons, one name stands out: Jhoon Rhee. Known as the Father of American Taekwondo, Rhee famously taught Bruce Lee how to kick and Muhammed Ali how to punch. His bare-knuckled American dream made an impact on generations of Americans. Guests: Terence Nicholson, a D.C.-based artist. Creator of Safety Jacket: A Mourning in Chinatown Sojin Kim, curator for the Smithsonian Asian Pacific American Center’s exhibition: Sightlines, Chinatown and Beyond M. Aziz, an Assistant Professor of African American Studies in the Department of American Ethnic Studies at the University of Washington Chun Rhee, son of Jhoon Rhee Jimmy Rhee, son of Jhoon Rhee

A billion-dollar spacecraft, a daring deep-space mission, and one of humanity’s biggest questions: Where did we come from? NASA’s OSIRIS-REx set out to collect a pristine sample from asteroid Bennu, a cosmic time capsule that may hold clues to the origins of life in our solar system. But the journey was anything but easy. Guests: Erica Jawin, postdoctoral research geologist in the Center for Earth and Planetary Studies at the Smithsonian’s National Air and Space Museum and member of the OSIRIS-REx mission Tim McCoy, curator of meteorites at the Smithsonian's National Museum of Natural History and deputy mission sample scientist for the OSIRIS-REx mission Mike Moreau, deputy project manager in the Space Science Mission Operations Project at NASA’s Goddard Space Flight Center

When we think of serial killers, we tend to think of men—Ted Bundy, Jeffrey Dahmer, Jack the Ripper. But in the 1800s, the deadliest killers often wore corsets. In fact, so many women were arrested for serial poisoning that the era became known as the “Golden Age of Arsenic.” Journey back in time to trace the crimes of Lydia Sherman, a Victorian Era femme fatale who left a trail of bodies in her wake. How did she — and women like her — evade capture for so long? And how did their murders help give rise to modern criminal forensics? Guests: Kristen Frederick-Frost, curator of science at the Smithsonian's National Musuem of American History Lisa Perrin, author and illustrator of The League of Lady Poisoners Deborah Blum, author of The Poisoner's Handbook. Director of the Knight Science Journalism Program at MIT.

There was a time, before Neil Armstrong set foot on the moon, when some researchers believed women were better suited for space than men. In 1961, a group of female pilots—today known as the Mercury 13—quietly aced NASA’s toughest astronaut tests, even outperforming the Mercury men in some areas. But with the space race heating up, their mission was grounded— but not by science. But what became of America’s first female astronaut candidates? Guests: Margaret Weitekamp, chair of the space history department at the Smithsonian’s National Air and Space Museum, and author of Right Stuff, Wrong Sex: America’s First Women in Space Program andSpace Craze: America’s Enduring Fascination with Real and Imagined Spaceflight Emily Calandrelli, engineer, author, and TV show host of Emily’s Wonderlab and Xploration Outer Space

Beyoncé is one of the most well-known and appreciated Black women in music today, but to understand her work, we need to look at who came before her and what those women contributed to the story of Black women on stage. In this special guest episode, curator Krystal Klingenberg introduces a new season of Collected, a podcast from the Smithsonian’s National Museum of American History, all about Black women in music. Guests: Daphne A. Brooks, PhD., is professor of African American Studies and Music at Yale University. Dr. Brooks most recent books is Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound (Harvard University, February 2021). https://afamstudies.yale.edu/people/daphne-brooks Margo Jefferson is a Pulitzer Prize-winning critic, and a 2022 recipient of the Windham-Campbell Prize for Nonfiction. Her most recent book is Constructing a Nervous System: a memoir (2022). She is a professor of Professor of Professional Practice at Columbia University. https://arts.columbia.edu/profiles/margo-jefferson Crystal M. Moten, Ph.D., is a historian who specializes in twentieth century African American Women’s History. In 2023 she published Continually Working: Black Women, Community Intellectualism, and Economic Justice in Postwar Milwaukee. Dr. Moten is the Curator of Collections and Exhibitions at the Obama Presidential Center Museum in Chicago, Illinois and was previously curator at Smithsonian’s National Museum of American History https://www.crystalmoten.com Dwandalyn R. Reece, Ph.D. is curator of Music and Performing Arts at the Smithsonian Institution’s National Museum of African American History and Culture. Dr. Reece curated the museum’s permanent exhibition, Musical Crossroads, for which she received the Secretary’s Research Prize in 2017. https://music.si.edu/dr-dwandalyn-reece Fath Davis Ruffins was a Curator of African American History at the Smithsonian’s National Museum of American History (NMAH). She began working at the museum in 1981, and between 1988 and 2005, she was the head of the Collection of Advertising History at the NMAH Archives Center. Ruffins was the original project director of Many Voices, One Nation, an exhibition that opened at NMAH in June 2017. She was leading a museum project on the history and culture of the Low Country region of the Carolinas, Georgia, and Florida. https://profiles.si.edu/display/nruffinsf1102006 Craig Seymour is a writer, photographer, and critic who has written about music, particularly Black music for over two decades. His most recent book is Luther: The Life and Longing of Luther Vandross (HarperCollins, 2004). https://randbeing.com/

Whether it's live on the Smithsonian National Zoo's panda cam or in front of a crowd, possibly no other animal's sex life is as closely watched as the giant pandas' is. And there's a reason. These cuddly-looking black and white bears just can't figure out how to mate. But, with a little help from science, the once-endangered giant panda is making a comeback. To honor the arrival of the National Zoo's newest giant pandas, we peep into the (not so secret) sex lives of pandas. Guests: Pierre Comizzoli, panda sex expert and staff scientist at the Smithsonian Conservation Biology Institute Lisa Stevens, AKA “Panda Lady”; former senior curator of mammals at the Smithsonian’s National Zoo Stephen Powers, panda fan

Children say it every day in school, but have you ever wondered why we recite the pledge of allegiance? We journey back to the late 1800s to understand how a massive wave of immigration and sagging magazine subscriptions gave rise to this vow of patriotism. From the Civil War to anti-immigrant nativism and Cold War politics, this one pledge tells many stories. Guests: Debbie Schaefer-Jacobs, curator for the history of education collection at the Smithsonian’s National Museum of American History Marc Leepson, author of Flag: An American Biography

"I’m not superstitious, but I’m a little stitious.” As the New Year approaches, this iconic line from The Office feels more relatable than ever. From gulping grapes in Spain to donning yellow underwear in South America and practicing Scotland’s ancient “first-footing” tradition, people around the world embrace odd – and oddly meaningful - rituals to ensure good luck in the year ahead. Join us as we travel around the Smithsonian to explore how facing the unknown brings us together at New Year’s… in the most unusual ways. Guests: Jim Deutsch, senior content coordinator for America at 250 book project with the Smithsonian Institution, formerly a curator at the Smithsonian Center for Folklife and Cultural Heritage Tey Marianna Nunn, associate director of content and interpretation for the Smithsonian’s National Museum of the American Latino Theo Gonzalvez, curator at the National Museum of American History Grace Jan, Yao Wenqing Chinese Painting Conservator at the Smithsonian’s National Museum of Asian Art

Sojourner Truth was a women's rights advocate known best for her famous speech "Ain't I a Woman." But Truth never actually said these words. In fact, much of the Truth we know… is fiction. Depictions from different artists and journalists have tweaked Truth's legacy to fit their messages, giving her a “kaleidoscopic reputation,” according to Nell Irvin Painter, author of Sojourner Truth: A Life, A Symbol. So how did a speech she never gave make Sojourner Truth one of the most famous women’s suffragists of the 19th century? And what did Truth actually say? Turns out, the whole Truth is even better than fiction. Guests: Nell Irvin Painter, author of Sojourner Truth: a Life, a Symbol; Edwards Professor of American History Emerita at Princeton University Ashleigh Coren, former content strategist for the Smithsonian's Our Shared Future: Reckoning with Our Racial Past initiative Kim Sajet, director of the Smithsonian’s National Portrait Gallery and host of the Smithsonian's Portraits podcast

Edmonia Lewis was the first sculptor of African American and Native American (Mississauga) descent to achieve international fame. Her 3,000-pound masterwork, “The Death of Cleopatra,” commemorated another powerful woman who broke with convention… and then the sculpture disappeared. On this return episode of Sidedoor, we find them both. You can see "The Death of Cleopatra" at the Smithsonian American Art Museum. The new exhibition, The Shape of Power: Stories of Race and American Sculpture features 82 artworks created between 1792 and 2023, including two by Edmonia Lewis. Guests: Marilyn Richardson, art historian and independent curator Kirsten Pai Buick, professor of art historian at the University of New Mexico and author of Child of the Fire: Mary Edmonia Lewis and the Problem of Art History's Black and Indian Subject Karen Lemmey, the Lucy S. Reign Curator of Sculpture at the Smithsonian American Art Museum

Imagine this: invisible robbers break into a bank and steal massive sacks of cash, but instead of running away with it they set their haul on the front stoop of the bank in a glass case. Everyone can see the money, but only the robbers can get to it. That’s how IRS Special Agent Chris Janczewski describes the 2016 Bitfinex heist – when mystery hackers made out with over $70 million in Bitcoin. By 2020, their loot had ballooned to over $4 billion. With only digital footprints to follow, federal agents tracked the criminals through the blockchain, across the dark web, and up the service elevator of a posh Manhattan apartment building in a sleuthing story that ends at the Smithsonian. The renovated The Value of Money exhibition will be opening at the National Museum of American History in November 2024. Check it out in person or online! Guests: Ellen Feingold, curator of the National Numismatic Collection at the Smithsonian’s National Museum of American History Zia Faruqui, United States Magistrate Judge at the District Court for the District of Columbia Ari Redbord, Ari Redbord is the Global Head of Policy at TRM Labs Chris Janczewski, Head of Global Investigations at TRM Labs, previously a special agent with IRS-CI Cyber Crimes Unit

They carried torches and marched at night. Their goal: defend free speech in America. What started as a small group of young men demonstrating during the 1860 election, snowballed into a mass movement of working-class Americans marching to end slavery. They called themselves the Wide Awakes. And they’re widely seen as the political force that helped elect Abraham Lincoln and spur the Civil War. So why has their story gone untold? And why is now the time to tell it? Guests: Jon Grinspan, Curator of Political History at the Smithsonian's National Museum of American History. Author of Wide Awake: The Forgotten Force that Elected Lincoln and Spurred the Civil War Kevin Waite, Associate Professor of History at Durham University. Author of West of Slavery: The Southern Dream of a Transcontinental Empire

Imagine Jaws without the sneaking tuba. Or Psycho without the shrieking violins. Music can help a horror film strike fear in the heart of theatergoers. And you can trace some of these musical scare tactics back to the era of SILENT films — when organists made up film scores on-the-spot. To celebrate the spooky season this year, we're slashing apart a 1917 silent horror film with composer Andrew Earle Simpson to find out how music can be the beating heart of suspense. Grab your popcorn and get snuggly under the blanket. But be sure to check the closet for a pianist before turning out the lights. Want to see this movie for yourself? Don’t miss our live screening of The Devil’s Assistant at the National Museum of American History! Join Lizzie, Andrew, and Ryan on Wednesday, October 30th at 7:30pm to see this movie the way it was made to be watched – with live musical accompaniment. We’ll have objects from the Smithsonian collections and audience Q&A. Reserve your FREE tickets here. Guests: Andrew Earle Simpson, composer and professor of music at the Benjamin T. Rome School of Music, Drama, and Art at The Catholic University of America in Washington, DC. Ryan Lintelman, curator of entertainment at the Smithsonian's National Museum of American History

In the Lord of the Rings trilogy, Frodo becomes invisible when he puts the Ring on his finger. Well, at banks in the 1970s, this is basically what happened when a woman put a wedding ring on her finger. Her credit cards would no longer work, and the banks wouldn't count her income as part of the household income. This led to a fight for women's financial independence that gave rise to the landmark Equal Credit Opportunity Act (or ECOA) and the creation of the first women's banks. In honor of the 50th anniversary of ECOA becoming law, we’re looking back at a time when women had to have their husband or father cosign on a credit application. What did it take to pass this landmark legislation? And how did it improve women's lives in America? Guests: Rachel Seidman, curator at the Smithsonian Anacostia Community Museum; curatorial consultant to the Smithsonian American Women's History Museum Emily Card, PhD, author of Staying Solvent: A Comprehensive Guide to Equal Credit for Women Elizabeth Babcock, director of the Smithsonian American Women's History Museum Jeanne Hubbard, former CEO of The Adams National Bank

During the mid-1800s, one third of all paper money in America was thought to be fake. It was the golden age of counterfeiting, and one exceptionally talented con artist stood out from all the rest. His fakes were nearly perfect…but for a trademark tell. Known to law enforcement only as “Jim the Penman,” this celebrity criminal led many Americans to wonder: can great art truly be criminal? Guests Ellen Feingold, curator of the National Numismatic Collection at the Smithsonian’s National Museum of American History

Sidedoor returns for its eleventh season on Wednesday, September 18th!

Within just a few years, artificial intelligence systems that sometimes seem to display almost human characteristics have gone from science fiction to apps on your phone. But there’s another AI-influenced frontier that is developing rapidly and remains untamed: robotics. Can the technologies that have helped computers get smarter now bring similar improvements to the robots that will work alongside us? In this episode of The Joy of Why podcast, Daniela Rus, a pioneering roboticist at the Massachusetts Institute of Technology, talks to host Steven Strogatz about the surprising inspirations from biology that may help robots rise to new levels. Subscribe to The Joy of Why from Quanta Magazine wherever you listen to podcasts!

There aren’t many portrait artists who get recognized on the street, but it happens to Devon Rodriguez all the time. After quietly honing his skill for a decade, Devon started posting videos of his live drawings of New York City subway commuters to social media. The videos took off, earning him some 50 million followers and placing portraiture in front of a huge new audience. In this episode of the Smithsonian's National Portrait Gallery’s podcast, Portraits, Director Kim Sajet speaks with Devon about the mentors who had his back, and this new model for showing art— not in museums, but on screens. See the portraits we discussed: Kim Sajet, by Devon Rodriguez John Ahearn, by Devon Rodriguez “The Rodriguez Twins,” by John Ahearn María Elena Estrada, by Devon Rodriguez Devon Rodriguez draws Kim Sajet, Instagram

Next up in our summer playlist, we bring you an episode of The Kitchen Sisters Present, a podcast featuring sound-rich stories ‘from the b-side of history.’ This one is a musical treat! The Kitchen Sisters delve into the story of the founding of the Hiphop Archive and Research Institute at Harvard by Dr. Marcyliena Morgan, Professor of African and African American Studies and Professor Henry Louis Gates to “facilitate and encourage the pursuit of knowledge, art, culture, scholarship and responsible leadership through Hiphop.” You’ll hear from Professor Morgan, Professor Gates, Nas, Nas Fellow Patrick Douthit aka 9th Wonder, The Hiphop Fellows working at the Archive, an array of Harvard archivists, and students studying at the Archive as well as the records, music and voices being preserved there. Then they take a look at the Cornell University Hip Hop Collection, founded in 2007, through a sampling of stories from Assistant Curator Jeff Ortiz, Johan Kugelberg author of “Born in the Bronx,” and hip hop pioneers Grandmaster Caz, Pebblee Poo, Roxanne Shante and more. This episode is part of The Kitchen Sisters’ series THE KEEPERS—stories of activist archivists, rogue librarians, curators, collectors and historians—keepers of the culture and the cultures and collections they keep. We end this guest-feature with a short interview with the Smithsonian’s Dwandalyn R. Reece, Curator of Music and Performing Arts at the Smithsonian’s National Museum of African American History and Culture. She and Lizzie talk about the process behind the creation of The Smithsonian Anthology of Hip-Hop and Rap. Special Thanks: At The Hiphop Archive at Harvard: Dr. Marcyliena Morgan, Executive Director and Professor of African and African American Studies + Dr. Henry Louis Gates, Jr., Alphonse Fletcher University Professor and Director of the Hutchins Center for African and African American Research + 9th Wonder (Patrick Douthit) + Harold Shawn + Harry Allen + Professor Tommie Shelby + Michael Davis + Brionna Atkins + Justin Porter + Robert Rush. At the Loeb Music Library: Josh Cantor + Sarah Adams. At the Hip Hop Collection, Cornell University Library: Ben Ortiz. At NPR: Rodney Carmichael. At large: Jeff Chang + Pedro Coen + Nas The Keepers is produced by The Kitchen Sisters, Davia Nelson & Nikki Silva, with Nathan Dalton and Brandi Howell. The Keepers Sonic Signature music is by Moondog. For more of The Kitchen Sisters Present, visit kitchensisters.org.